randian | 燃点

I have been a Paola Pivi fan since 2000, when I first saw "Senza Titolo (Untitled)" at one of the most beautiful museums in Italy, the Castello di Rivoli, on the outskirts of Turin. "Senza Titolo" is an unframed white painting — the one on show at the Rockbund Art Museum is called "Thank You Ocean" — made of thousands of artificial pearls. It is a concentration of power, mass and beauty... >> 更多

(English) The Stockmarket is wobbly, China growth is slowing, Beijing's regulatory regime is tightening, there is a lot of hidden bad debt (who knows how much in State Owned Enterprises), there is a property bubble and a trade war with the United States. >> 更多

也许，在当下的西方艺术界，从独立出版到酷儿历史和经历失落和希望，没有人比AA Bronson了解得更多。 >> 更多

“我这么做是否就在破坏水墨画的传统，现在还很难说。” ——郑重宾 >> 更多

地形学／场地书写作为面对“地方”、场所的方法到底可以是怎样的？ >> 更多

这些是真理，是确信，是话语或者沉默，都是可以经历但不能被证明的。 >> 更多

(English) Like the impact of any massive object, the past months have seen shockwaves emanate from the opening of the National Gallery of Singapore (NGS), in the form of various reviews and opinion pieces. >> 更多

泰伦·西蒙是一位常驻纽约的艺术家，以其结合摄影与文字的精巧创作著称，此外，她的创作还涉及雕塑与行为。
 
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近日，《燃点》就巴塞尔艺术展的发展战略与未来规划等问题对巴塞尔艺术展总监马克·斯皮格勒（Marc Spiegler）和黄雅君进行了专访..... >> 更多

得到这么一个奖项对于艺术家而言，更多地指向了一个问题，那就是他在上海的成功对于当时的中国艺术圈意味着什么——换句话说，香港在与此相关的这一体系中扮演着什么样的角色。而在香港工作的艺术家们曾经一度热衷于声称自己的作品在尺幅和技艺方面是故意往小了做，因为这样可以颠覆或者区分于北京的那种批量生产的创作模式...... >> 更多